Falasteen Weyn Ana? Palestine where am I? - that is the translation of the Arabic title of Jamila & The Other Heroes' record. Released in May 2023, the title took on a new meaning since the ongoing Israeli bombardment of Gaza after the attacks by Hamas on October 7th. We speak to Jamila Al-Yousef, singer, co-composer and lyricist of the band, about Palestinian resistance, protest music, and the repressions Palestinians face in Germany.
In its familiar format CTM, the well-established festival for club culture returned this year. Some of Berlin's finest sound systems, including the ones at Berghain, RSO, and HAU2, have once again been selected to host electronic and experimental music acts from around the world. Anna Grubauer reflects on a week of inspiration, surprises, and lack of sleep.
Based in Berlin, the Haifa-raised singer and songwriter Rasha Nahas releases her first album in her native tongue, Arabic. Written during the pandemic, "Amrat امرات" is an exploration and celebration of her Palestinian identity and a touching album grown out of spaces in between cities, identities, and cultures. We spoke to the singer and are premiering the video to "Habbetek حبيتك" in this week's Introducing Feature.
For two days in late November, the music-discursive event Territory Disrupt gathered various artists and researchers at SOMA Art Space Berlin. The concerts and discussion rounds focussed on the topic of cultural imperialism and artistic work in times of war. Music and cultural production are ways of fighting oppression and inspire solidarity and resistance. Anna Grubauer entered this space for exchange and discourse and shares impressions from the artistic interventions and discussion rounds.
The Berlin-based neo-pop duo MADANII & LLUCID makes music with a political message that questions stereotypes, representation, and demands space in the Western hegemonic music industry. NBHAP author Liv spoke to the artists about their second EP 3RD 3YE and the interview series ORI3NTATION, which asks where stereotypes regarding the 'Orient' come from and how we can get rid of them.
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