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Nadia Says

Latest articles by Nadia

Queens Against Borders: A decade of queer and BIPOC empowerment

Last Saturday, the Berlin-based collective, Queens Against Borders, celebrated its 10-year anniversary: a decade of bringing queer, trans, refugee, and migrant performers together through events, club culture, and community. They re-united artists and long time supporters for an evening of discussions, visual art, music, dance, and elevated snacks at Portal Galerie, Alte Münze.
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Spaces for Rebellion: Anika Releases A Wake-Up Call with “Abyss”

The Berlin-based singer Anika released "Abyss", a record oozing with urgency and the need to make one's voice heard. Following her solo albums "Eat Liquid" (2023) and "Change" (2021), she now reinvents her signature post-rock sound for the current state of the world and to deliver a gut-moving live show. Nadia Says spoke to the singer about the societal inspirations for the record's themes and whether music can be a driver for change.
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A Landscape of Frequencies: Electronic Drone Choir NYX Release Their Debut

What happens when the human voice is manipulated through electronic drone sounds? The London-based choir project NYX is experimenting with collective singing and digital production creating a unique soundscape on their self-titled debut. Nadia Says spoke to founder and musical director Sian O’Gorman about the power of the collective voice and the joy of playing with manipulation and distortion.
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“Soli Tunes” Artists On Gender Representation In The Music Industry

When examining gender representation in the music industry, we mostly see cis men. Efforts to be more inclusive tend, more often than not, to focus on cis women as so-called "female" representation. Four artists who contributed to the "Soli Tunes" Compilation—6zm, Venusloc, Strip Down, and Mad Kate—reflect on why that is problematic and what could be done better.
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“We Cannot Get Used to This”: A Conversation with White Boy Scream

The opera singer Michaela Tobin, known as White Boy Scream, turns the genre on its head and makes it resonate with underground drone music. Resistance to musical and societal structures is at the core of the artist's practice. Tobin doesn't just call out the eurocentricity of the genre but laces her lyrics with social and political commentary.
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