Another year goes by and it was... well, definitely different than the last one but still quite weird. The second consecutive Covid year was a rollercoaster ride of emotions where hope and despair went hand in hand and we're surely finished yet. Luckily, this resulted in quite outstanding musical releases which gave us much needed comfort and distraction in these difficult times. Today, we're honouring the fifty records that meant the most to us in the past twelve months.
It's been a turbulent and confusing year in many ways. But there's one thing the second pandemic year in a row hasn't been lacking of: plenty of good music to get us through these months of uncertainty between hope and despair. And for those of you who might have lost track in the daily storm of new releases we got you covered once again with a mighty list that includes those tracks that we'll connect with 2021 forever
Every Friday music fans are faced with the same burning question: What to listen to from the sheer endless sea of new albums, EPs and other releases? Don't worry, the people of NBHAP are here to help you with that. Our very own release roundup gives you a quick overview on the music that matters the most this week.
Along with befriended musicians like Julien Baker, Daughter and the Twilight Sad the band revisits its beloved 2008 album 'The Midnight Organ Flight' and also launches a charity to raise awareness for mental health.
Craig Beaton, legendary figure of the Scottish indie music scene and his musical partner Graeme Smillie announced a final musical statement as A Mote Of Dust before the man quite possibly stops music alltogether. We owed it to him, that in this (possibly) last interview he got all the room he needed to explain himself. It became quite an extensive one: Honest to the bone, furious, warm and smart. Just like Craig Beaton's music...
There's a reason why you didn't spot the third CHVRCHES record in our recent release recommendations... it's just not very good. 'Love is Dead' lacks of spark, soul and good songs, it appears. NBHAP editor Hannah Fahy tries to narrow down what probably went wrong here.