Patti Smith, the name comes with several images rushing into mind: the androgynous cheek-bony face with the fuzzy self-made Keith Richards hair cut, the raspy vocals, fierce punk rock tunes to gentle ballads, a rebel persona through and through.
What happens when the human voice is manipulated through electronic drone sounds? The London-based choir project NYX is experimenting with collective singing and digital production creating a unique soundscape on their self-titled debut. Nadia Says spoke to founder and musical director Sian O’Gorman about the power of the collective voice and the joy of playing with manipulation and distortion.
